Australian Defence Force showcases Navy career opportunities via Havas Worldwide Australia
Havas Worldwide Sydney has unveiled its first dedicated brand campaign for the Navy. Part of a wide-ranging new recruitment drive, it showcases the broad career opportunities offered by the Navy.
Says Seamus Higgins and Stuart Turner, joint ECDs, Havas Worldwide Australia: “For many, the Navy is the great unknown and our creative challenge was to unlock the true essence of what it is like to be in the Navy. We have created a campaign that demonstrates how people’s skills and interests can be turned into something more, with rewarding and empowering messaging to encourage people to realise their goals and discover new possibilities in the Navy.”
The fully integrated campaign will roll out nationally across multiple channels including TV, cinema, out-of-home, digital, print and radio. The content focuses on demonstrating the Navy experience in order to build a deeper connection with young men and women. By showing the parallels between their lives today and what life could be like for them in the Navy, it demonstrates the Navy’s ability to recognise and actively develop the potential of new recruits.
Says Kaarin Kooij, director military recruitment group captain: “People are at the heart of the Navy. The Service has a strong focus on progressing talent through the ranks by identifying and developing potential in them. The Navy becomes the best it can be when we attract people from diverse backgrounds, reflective of the Australian culture.”
Client: Australian Defence Force
Creative Agency: Havas Worldwide Australia
Managing Director: Dan Smith
Client Business Director: Alex Ball
Senior Account Manager: Brad Luo
Planning Director: Eryl Thomas
Senior Strategic Planner: Peter Pippen
Executive Creative Directors: Stuart Turner & Seamus Higgins
Art Director: Mick Healy
Copywriter: Ray Ali
Senior Broadcast Producer: Roslyn Payne
Digital Producer: Olivier Boulbain
Head of Design: Darren Cole
Designer: Nic Adamovich, Michael Macgregor, Dylan Reid
Print Producer: Emily Fitzpatrick
TV:
Production: Goodoil
Director: Joel Kefali
Executive Producer: Julie Bishop
Producer: Andrew McLean
DOP: Ryley Brown
Post Production: Alt VFX
Editing: The Editors, Bernhard Gary
Music company: Song Zu
Composer: Ben Lam
Stills Photography:
Photographer: Chris Ireland (Pool Collective)
Retouching: Damian Kozma (Manifold)
9 Comments
There are lots of great Australian ad agencies.
You’d think the Australian navy could have chosen one.
Why pay tax to a government that sends your money overseas?
I’m not sure there are too many ‘great’, 100% Aussie owned Agencies that could handle this account. Only a few spring to mind:
BMF
The Monkeys
Cummins&Partners
Others on their way to great:
The Works
Special Group
With Collective
Except for the fact that all the people that did this work,Ordinary or not, live in Australia and are Australians then you would have a point
This appeals to me.
Should have been awesome. Isn’t. That’s a real shame.
I think it’s well directed and a lot fresher than most navy or defence force stuff in the past which has always been generic and pretty average.
Dear Bruce Lee
I own a local agency – 100% Aussie from start to finish but …I’ll be forever grateful to international agencies. I was trained in international agencies, posted overseas to broaden my experience by international agencies, promoted by international agencies and paid a lot of money by international. For me, clients should always appoint the agency best capable of getting the best result local, or international. Im always wary of people trotting out the ‘buy local argument when it suits, especially when I bet ‘they’ don’t drive a local car, prefer holidays overseas, love buying from online sites because its cheaper than buying here, spend more time and money supporting Cannes than Award and forever carry on about how shit local advertising is when compared to international work.
It’s yet ANOTHER manifesto… when will they end?!?
Can I have the other 2/3 of my screen back.