How advertisers can stop cats taking their jobs

| | 13 Comments

JonBurdenNakedOpinion.jpgBy Jon Burden, executive creative director, Naked, Sydney

 

Great advertising crosses over into the cultural mainstream – from guests turning up to fancy dress parties dressed like Captain Risky, to “not happy Jan!” entering the vernacular. I once met a guy who had Diesel’s motto, “for successful living” tattooed on his wrist, and I also heard “Compare The Market” make more money from selling meerkat toys than actual insurance advice. Now, the latter may be apocryphal, but I am certain that while great campaigns can define our industry, bad ones can damn it.

 

Increasing numbers of people manage to eschew advertising altogether.  But if you thought advertising was cynical, then getting away from it all has produced some serious market opportunities of its own. Adblock Plus has just launched its Acceptable Ads Platform, allowing publishers to insert what it calls “acceptable ads” to be served to Adblock users, and apparently close to 1,000 publishers have signed up.  YouTube Red – $9.99 a month – gets you ad free subscription to YouTube.

All of this and more highlight a glaring truth currently hovering over the advertising industry – people don’t always like being told what to buy. An organisation that took it upon themselves to explain this to the industry is the Citizen Advertising Takeover Service (CATS). CATS is a brilliant crowdfunded project, which combines internet users’ dual obsessions of adblocking and videos of cats. It partnered with Battersea Dogs and Cats Home, one of the UK’s largest pet rescue centres, and raised enough money to replace standard adverts with pictures of animals. As a result, Clapham Common Tube station currently has 60 cute felines in need of a home plastered all over its walls.

 

Asked why they did this, CATS said they found it exhausting being asked to buy stuff all the time, explaining, “Wouldn’t it be great not to worry about the holiday we can’t afford, the car we don’t need, or the body we don’t have? Imagine a world where public spaces made you feel good?” The fact people put their hands in their pockets to buy an alternative to advertising says it all when it comes to flipping the bird at the industry. And they don’t just give their money; I’ve lost count of the “name our product” campaigns that have proven PR own goals, as they succumb to fatal levels of trolling by their would-be consumers.

 

Advertising creates relationships between consumers and brands, and like every relationship you should treat it responsibly, admit your weaknesses and respond to your consumers’ needs and tolerance levels. I’ve talked about polishing the proverbial before, and sometimes a product or project is beyond redemption before it arrives on your desk.  Nonetheless, we shouldn’t let our standards be determined by the lowest common denominator.

 

We need to make the worst ads a little bit better.

 

In a post-truth society, ethics are the new (and old) Platonic ideal; we need to write better, satirize the straw men, diversify our casting, and find the truth that speaks to our audience.  These small things can be big wins for your brand and the industry in general, because if you can prompt as much as a wry smile, it can shift you from having a negative impact on someone’s day to neutral or even positive. So even if you’re working on a creatively barren account, try pushing the envelope. Let’s put the cats back into the memes where they belong!