Cochlear’s Hearprint online application calibrates the Internet to your ears via CHE Proximity

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03_Hearprint_lowres (1).jpgCochlear has today released Hearprint; an online application that calibrates online video and music to the listener’s unique hearing ability via CHE Proximity.

CHE Proximity, together with audiologists and sound engineers have collaborated to raise awareness about the 3.6 million Australians living with some form of hearing loss.

 

Based on a series of user inputs, Hearprint works by adjusting audio frequencies so they are tailored to the listener’s hearing ability. It then calibrates online content to the viewer’s ears.

Andy_Still.jpgAnyone can download the software as a Google Chrome extension to hear all their favourite online films, TV shows and music, with their unique sound calibration.

Says Janet Menzies, general manager – Cochlear Australia andGI_Jennie_lowres (1).jpg New Zealand: “No two people hear the world the same. The new Hearprint tool helps Australians to visualise their unique sound calibration.”

Unlike hearing aids, which simply turn up the volume for all sounds around the wearer, Cochlear implants accommodate an individual’s unique hearing needs byHearprint_tool_lowres (1).jpg recalibrating their ears to the world around them to restore their hearing. 

Hearprint has been applied to the first content series calibrated to user’s unique hearing. The documentaries, by award-winning director The Glue Society, tell the stories of how Cochlear is changingHearprint_Plugin (1).jpg the lives of people with hearing loss.

Launching with the story of Jennie Brand-Miller – leading nutritional scientist and professor of human nutrition at the University of Sydney – who suffered 20 years of progressive hearing loss before a Cochlear implant allowed her to fulfill her passions as an academic, pioneering the Glycemic Index.

And Andy King – a high performance surf coach – who had his life suddenly put on hold after losing his hearing from a coward punch. But after receiving a Cochlear implant, found his sense of self and became Surf Australia’s most esteemed coach.

Says Brian Jefferson, group creative director, CHE Proximity: “We don’t want to just make ads for Cochlear, we want to create experiences that help people reconsider their hearing and how Cochlear could help. Every day, thousands of Australians aren’t hearing as they should so for those people, the Hearprint turns every video on the Internet into a chance to realise there’s a better solution. And what better way to introduce it to the world than through the amazing stories of Jennie and Andy.”

 

Says Jonathan Kneebone, The Glue Society: “Following on from the success of the Hearing Test In Disguise it has been exciting for us to also direct this latest piece of innovative creativity – where we reveal the significant human impact of such incredible technology.”

Cochlear will debut the Hearprint at a launch in its Macquarie Park headquarters alongside a special panel featuring Andy King, Ant White (CCO of CHE Proximity) and Janet Menzies, general Manager – Cochlear Australia and New Zealand.

Over the next few months an addressable media campaign will promote the technology and Brand-Miller’s story to select audiences, along with a PR presence and website experience designed to capture leads.

Client: Cochlear Limited

Scott Housley, VP of Marketing & Business Development, Cochlear Australia and New Zealand

Janet Menzies, General Manager, Cochlear Australia and New Zealand

Ben Marosszeky, Senior Manager, Cochlear Asia Pacific

Kerryn Burke, Senior Marketing Communications Manager, Cochlear Asia Pacific

Linda Ballam-Davies, Senior Marketing Communications Manager, Cochlear Australia and New Zealand

Kate Harrison, Consumer Campaign Manager, Cochlear Asia Pacific

Leonie Fewster, Cochlear Care Centre Manager, Cochlear Australia and New Zealand

Julie Decker, Cochlear Care Centre Manager, Cochlear Australia and New Zealand

Agency: CHE Proximity

Chris Howatson, CEO

David Halter, Managing Director

Ant White, Chief Creative Officer

Brian Jefferson, Group Creative Director

Letizia Bozzolini, Associate Creative Director

Lisa ONeill, Associate Creative Director

Cameron Brown, Senior Copywriter

Mariana Rice, Group Account Director

Charlotte Jones, Senior Account Director

Alice Jamieson, Senior Account Manager

Jason Young, Head of Design

Vanessa Saporito, Senior Designer

Julie Duff, Head of CHEP Films

Katena Valastro, Production Co-Ordinator

Roma Stein, Operations Manager

James Shaw, Head of Performance

Hannah Garcia, Senior Experience Strategist

Elliot Tindale, Performance Manager

Ryan Townsend, Experience Manager

Elaine Yang, Performance Executive

Tien Tran, Programmatic Manager

Leigh Munday, Data and Media Operations Manager   

Jamie Metcalfe, Digital Products Director

Simon Ridley, Digital Project Manager

Matthew White, Creative Technologist

Patrik Fagard, Creative Technologist

Matthew Rose, Technical Director, Product & Communications

Matthew Willcox, Head of Strategic Design

Sebastian Perez de Arce, Senior Digital Designer

PR

Simone Pipkorn, General Manager

Fleur Williamson, Account Director

Elen Clement, Senior Account Manager

Direction: The Glue Society – Director

Production Company: Revolver/ Will O’Rourke

Michael Ritchie, Managing Director/Executive Producer      

Josh Mullens, Executive Producer/Head of Projects          

Isabella Vitelli, Producer                                

Jasmin Helliar, Producer

Alex Harrod & Jordan Maddocks, Director of Photography  

The Glue Society Studios, Post House

The Glue Society, Editor

Viv Baker, Flame Artist

Trish Cahill, Colourist

Sound Studio: Noise International

Kathleen Burrows, Sound Designer