Speight’s celebrates modern Kiwi mateship in newly launched brand campaign via DDB NZ

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_DSC0617 (1).jpgBeer ads have a long history of showing guys enjoying a brew, often at the expense of everything else. Spouses, commitments and those less worthy have often been fodder for blokey heroes who earn their beer through some feat of strength, cunning, comedy or a combination of the three.

    

The decision to get away from those well-worn tropes provided an opportunity for Speight’s, which today launched a new brand campaign headlined by an unexpectedly heartwarming spot titled ‘The Dance’ created by DDB New Zealand.

A two-minute epic follows the story of two workmates who seem to be teaching each other to dance. We meet their wider group of mates, who stay after work to offer unsought critique. Mastering dancing quickly becomes their group project, and they approach it with the same laconic attitude you’d expect at Thursday night training for the 3rd-division social footy team.

_DSC0717.jpgThe reveal hits home when we finally see our hero, Simon on his wedding day, surprising his new wife Tammy with a perfect dance routine while his mates look proudly on.

DDB NZ executive creative director, Shane Bradnick, says the new campaign introduces a modern approach to the values Speight’s has_DSC1407.jpg always stood for, and the iconic ‘Good on Ya Mate’ tagline has made a return for the first time in a number of years.

Says Bradnick: “The balance we’ve tried to strike is a modern interpretation of Speight’s traditional values of mateship and willingness to go above and beyond. It’s a continuation of the story Speight’s has been telling for years and we hope it inspires Kiwi mates to be proud of_DSC1500.jpg those moments they go the extra mile for each other, regardless of the sacrifice required,”

Says Rory McKechnie, creative director, DDB NZ: “The truth that mates will do anything for each other is a very genuine thought, but it hasn’t always been portrayed that way. We wanted to get away from the over-the-top caricatures typical in_DSC1533.jpg beer advertising, and bring that idea to life in a more real way.”

National marketing director at Lion, Craig Baldie says the reinstatement of the ‘Good on Ya Mate’ tagline was about building a new tradition for a modern audience.

Says Baldie: “_DSC2568.jpgA fresh approach to our core beliefs was the perfect way to showcase mateship, a value that has stuck with Speight’s through various ages and stages. There are some things you can only ask a mate for help with, ‘The Dance’ reimagines an age-old tradition of mates sacrificing for mates through challenging times – we’re very excited to see how Kiwi audiences respond to it.”

Director Steve Ayson says it was exciting to explore the iconic Speight’s world in this contemporary way with his mates at DDB.

Says Ayson: “Dancing in front of people carries the same amount of tension for most kiwi men as public speaking in the nude. It’s a manly trait to know everything about anything…or at least think you know. So my attraction to this project was the opportunity to study a group of blokes sharing their self-elevated knowledge about dance in the same way they might debate and analyse sport.”

The new campaign rolls out with 6″,15″, 60″ and 120″ versions on film, online, digital and OOH

National Marketing Director: Craig Baldie

Category Marketing & Sponsorship Director – Beer: Ben Wheeler

Marketing Manager Mainstream Beer: Jane Dempsey

Brand Manager Mainstream Beer: Geoff Kidd

Assistant Brand Manager Mainstream Beer: Gen Brown

Creative Agency: DDB New Zealand

Chief Creative Officer: Damon Stapleton

Executive Creative Director: Shane Bradnick

Creative Director: Rory McKechnie

Art Director: Zac Lancaster

Senior Account Director: Jennifer Travers

Account Manager: Michael Doolan

Executive Planning Director: Lucinda Sherborne

Executive Producer: Judy Thompson

Senior Agency Producer: Samantha Royal

Production Company: The Sweet Shop

Executive Producer: Fiona King

Producer: Larisa Tiffin

Director: Steve Ayson

DOP: Lachlan Milne

Editor: Simon Price

Edit House: ARC EDIT

Grade: Trish Cahill

Post Production Company: Perceptual Engineering

Soundtrack/composer/Music: Jonathan Mihaljevich, Franklin Road