June 2009 Archives
View the web film created by DDB Sydney and Fin Design.
Please note that late fees automatically apply to all entries submitted online after midnight Tuesday, 30th June 2009 (+15%). All entry payments must be made before the 8th July in order for your entries to be accepted.
Late fee charges will not apply if your entries have been submitted online and paid for by the 30th June 2009.
All hard copy entries and artwork must be received by AWARD before the 10th July 2009. For all queries contact Alette at AWARD on +61 2 9699 2999 or email callforentry@awardonline.com
View the AWARD CFE booklet
AWARD_CFE_booklet.pdf
View the AWARD CFE poster
AWARD_CFE_poster.pdf
303's winning plan included media buying and planning including traditional channels and ambient, as well as conceptual creative work.
PIAF's Development Director Sally Wilkinson said that the decision to appoint 303 was an easy one after seeing the proposed work.
"303's strategic thinking is impressive and the conceptual creative solution proposed allows for bold, simple execution through all media channels. It will leave the people of Perth in no doubt as to what a wonderfully enriching experience Festival 2010 promises to be."
303 CEO Nick Cleaver said, "303 has been demonstrating a strong understanding of the creative needs of the arts community, which includes our work with the Art Gallery of Western Australia. The Perth Festival is a mainstay and an innovator of the Perth community and we are delighted to be associated with it."
The 2010 Perth Festival program will be launched in early November.
Brown is one of Perth's most experienced creatives. It was in 1985, while he was at Ogilvy & Mather in Perth, that Brown created Perth's only Gold AWARD Award winner - the Piper West Flight School outdoor poster. He moved to Batey Ads in Singapore in 1987 before returning to Perth in the early 90s and joining AdLink, where he eventually succeeded Gordon Dawson as creative director. AdLink was taken over by Jung Lautrec & Shaw in 2001, which became the foundation of Linc.
Brown is available for freelance or full-time work and can be contacted on 0409 194 483.
Each month's contenders are judged by three local senior creatives. The finalists are then sent to some of the top radio creatives in Australasia to decide the winner.
Ads in the running to go through to the final judging are:
Australia has triumphed over New Zealand at this year's Cannes Lions, taking home 45 Lions compared to New Zealand's 21. The result is a big jump on last year and a continuation of Aussie success, following on from last year's tally of 24 for Australia to New Zealand's 21.
In a highly successful year for Australia the obvious highlight was the record-breaking three Grand Prix awarded to CumminsNitro, Brisbane's 'Best Job in the World' campaign.
Forgive me, I have been slacking. No, I wasn't drunk the whole time, but I have been judging some long days, gotten the flu and have a very weird bump rapidly growing on my neck. Things are not looking good for me. But the work is great, and seeing how this is my last entry, I'll jump straight to the big winners, some of my favorites and comment on other stuff.
All week long we were worried there might not even be a Grand Prix, and seeing how the last time that happened the jury was almost run out of town, it was a huge relief when several things clearly rose to the top.
Despite
winning three Grand Prix, Australia's favourite
contender for a Titanium/Integrated Lion was snubbed by the jury for
what has become the festival's most coveted award. CumminsNitro
Brisbane's Tourism Qld 'Best Job in the
World' was one of two shortlists for Australia, the other was Zuji's
'Helping
Holidays Happen' by Happy Soldiers/The Hallway Sydney, which also
failed to win
metal.
New Zealand fared better, turning its two shortlists into
a Silver Integrated Lion for AIM Proximity/Colenso BBDO Auckland's Yellow YELLOW TREEHOUSE and a Bronze Integrated Lion for Adidas/New Zealand Rugby Union All
Blacks THIS IS NOT A JERSEY/ADITHREAD.
1. An obsession with cool. Just because something is cool, does that make it great?
2. Wasted money on entries that don't deserve it. Or worse still, entering a good idea then producing a crap entry video.
3. Great work still rises above everything else.
4. It's fashionable to jump on the bandwagon of "that work is shite" or "that work is brilliant"
5. Despite everything there is still plenty to inspire anyone.
Download Roger Daltrey in Cannes here:
RogerDaltry_Cannes.MOV
Pictured left - This mighty vessel is, as far as I can tell, a bit of a Cannes secret, only recently uncovered by some cunning Australian delegates. It's called a Girafe, which is probably because it stands 100 feet tall. You can buy it filled with Stella Artois for 32 Euro, or Leffe or 34 Euro. A bloody bargain, but susceptible to some pretty shonky pouring action.
I'm not really a greenie but after Kofi Annan and Bob Geldof gave their talks today I, and a thousand other ad types, became inspired. They launched a new open source campaign to put pressure on world leaders to deliver at the climate change summit in Copenhagen this December.
As Kofi said, it is about climate justice, not climate change. To understand the full meaning go to www.timeforclimatejustice.org which has the whole story and lots of resources.
Look out for the Beds are Burning Ad Aid style of music video in September and see a preview at the web site. Really inspirational stuff. If you want to hear more I know someone with a bootleg audio recording of the speeches.
Later we took in a party run by The Location Guide on the Majestic jetty.
Today had a couple of real highlights. The Saatchi & Saatchi new directors' Showcase was one. You can see the new 2009 showcase on You Tube at www.youtube.com/nds.
The stand-out for me was the presentation by Barack Obama's campaign manager, David Plouffe. As he was introduced by DDB's Bob Scarpelli I actually felt a weird sense of emotion that later I discovered others did too.
So the wheels are turning much faster at Cannes now, especially with some of the higher profile workshops and seminars kicking in (Berlin School Of Leadership, Wunderman, 180 Amsterdam etc..). Have a read of Yoley's blog for some facts and figures from these sessions, because today's installment mostly revolves around what took place shortly after closing time at the Palais [Hmm...'Yoley' seems to have gone missing today. Maybe he's still making his way home from the Palais! Ed.]. With some Australian Lions in the crowd, and no international network parties to muddy the waters, it was all hands to the Opening Gala for music, backslapping and storytelling galore. So without further adieu (see what I did there?)....
OVERALL RESULTS ALL PEOPLE 10+
#1 : MIX 94.5 .. was 14.7 - NOW 14.4 (decrease of 0.3%)
#2 : 92.9 .. was 14.0 - NOW 13.2 (decrease of 0.8%)
#3 : 96fm .. was 11.0 - NOW 11.7 (INCREASE of 0.7%)
#4 : 6PR .. was 10.4 - NOW 11.0 (INCREASE of 0.6%)
#5 : NOVA .. was 9.4 - NOW 10.2 (INCREASE of 0.8%)
#6 : ABC720 .. was 9.9 - NOW 9.9 ** NO CHANGE
#7 : JJJ .. was 5.7 - NOW 6.3 (INCREASE of 0.6%)
#8 : 6IX .. was 5.0 - NOW 5.3 (INCREASE of 0.3%)
Comments & Observations
• ABC720 is certainly the lowest on the rankings ladder than they have been for a long time.
• Only two stations decreased share - MIX 94.5 & 92.9, though both stations retain No. 1 & No. 2 positions.
• Greatest share increase was NOVA +0.8%.
• It's turning into a real battle for the P25-39 demographic.
AQUENT
We are looking for the following talent:
SPONSORSHIP & EVENTS COORDINATOR (SENIOR) - 12 month contract
Due to parental leave coverage requirements, a fantastic opportunity has arisen within the property industry for a dedicated sponsorship and events professional. To find out more about this role, call Karen Thompson on 9381 7655.
DIGITAL MARKETING SPECIALISTS
A number of our clients are ramping up their efforts in the digital space and are keen to hear about outstanding talent in this area. If you have a solid background in digital marketing and you're ready to explore new opportunities, call Karen Thompson on 08 9381 7655 today!
WANT TO DISCUSS YOUR FUTURE WITH AN AQUENT AGENT ...For creative roles visit www.aquent.com.au/go/angelaclegg and for marketing, PR or account service positions visit www.aquent.com.au/go/karenthompson or telephone 08 9381 7655.
1. Wednesday 1900-2030 Masterchef Australia NEW-10 15.9
2. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 15.7
3. Monday 1900-2000 Masterchef Australia NEW-10 14.1
4. Sunday 2030-2140 Rove NEW-10 13.4
5. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 12.7
Top 5 Prime Time Programmes People 25-39
1. Wednesday 1900-2030 Masterchef Australia NEW-10 19.8
2. Monday 1900-2000 Masterchef Australia NEW-10 16.1
3. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 16.0
4. Sunday 2030-2140 Rove NEW-10 15.9
5. Friday 1900-2000 Masterchef Australia NEW-10 15.0
Top 5 Prime Time Programmes People 25-54
1. Wednesday 1900-2030 Masterchef Australia NEW-10 18.5
2. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 18.5
3. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 16.2
4. Monday 1900-2000 Masterchef Australia NEW-10 14.9
5. Sunday 1800-1830 News TVW-7 14.5
Top 5 Prime Time Programmes People 35-54
1. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 21.8
2. Wednesday 1900-2030 Masterchef Australia NEW-10 18.2
3. Sunday 1800-1830 News TVW-7 16.8
4. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 16.2
5. Monday 1900-2000 Masterchef Australia NEW-10 14.5
There's a strong Perth connection on the campaign. As well as Coghlan, one of the other two writers was Dave Govier, and the art directors were Levi Slavin and Stephen de Wolf. Govier and Slavin are now at Saatchis in London and de Wolf is still with the Auckland agency.
Pictured left - As the weather turns nasty at Cannes, liquid nourishment provides much-needed relief at the Australian/New Zealand terrace catchup at Le Grande.
It's a sensational result for 303 who, along with Meerkats, had Perth's first finalists in the Media competition. The Media Jury shortlisted 211 entries out of the 1840 competing and awarded 122 winners.
Key themes were getting rid of silos within agencies and between collaborating agencies, and looking for simple solutions to real problems. Apparently a huge car park in Portland has installed lights above each bay that show green or red to indicate whether they are free or not. The lights are above the level of the cars so you don't need to drive around looking for that spot.
By Heather Jacobs, Campaign Brief
So, if austerity is the new black in these tough times where does that leave Cannes, the most decadent of advertising festivals? The mood on day one, Sunday, was subdued. Talk of the GFC had many shakily handing over credit cards for over-priced drinks hoping they weren't declined and the Carlton Terrace was a washout. It's not supposed to rain in Cannes in June - didn't they move the festival a couple of weeks to avoid this?
Pictured left - An interactive presentation of cinema advertising and it's ability to integrate 3D vision, 3D sound, smells, taste, touch and interactive digital gaming. I'm still waiting for 3D glasses that don't make you look like a complete plonker.
Go Viral's Jimmy Maymann gave us a 40-minute tour of the digital space. By next year, it seems, we will be spending more hours online than watching TV and the fastest growing segment online is video. Indeed, video is expected to represent 64% of all mobile traffic by 2013.
Jimmy showed us an interesting piece for Tampax, which is a series of films relating the story of Zack Johnson, paradoxically a 16 year old boy who ....... well, have a look and see at www.zack16.com Interesting, but with no paid media support they have only had 100,000 views.
Meerkats have a finalist in Media with iiNet 'The Naked Truth' and in Radio with Murdoch University 'Open Day'. Both 303's finalists are for the Ikea, 'Guerilla Garbage' ambient execution. It was a finalist in the Media and Outdoor categories.
First up, we'll have our annual movie night on July 9, tickets for which will go on sale this week. Watch this space for details. We can't tell you what it is just yet, but we can say that it will be big, flamboyant and loaded with kugelsack (we don't know what kugelsack is either, but I'm sure we'll find out on July 9).
Next, with the assistance of Ross Tinney, the Bullshit Band Night will this year be hosted by Youngbloods.
Campaign Brief asked The Brand Agency's Josh Edge to wander the streets of Cannes to bring you a different perspective to the annual global adfest. Here's his first snapshot of the early days, with much juicier shots to come during the week proper. We promise.
This first pic is the view From Notre-Dame de l'Esperance. Built sometime in the 16th century, this is as good as place as any to plan your next 'Gutter Bar' rendezvous (and the way back home).
DAY ONE
I've noticed that any time someone writes a "diary" from Cannes or The Andy's or wherever, they always start by subtly bragging. They say how intimidating it is to be on a jury with such great people, and how wonderful it is just to be in the presence of such talented creative. But what the writer really means is that by extension he or she is wonderful and talented. See how that works? So here goes:
It is such an honor to be among such great and talented creatives on the highly prestigious and intimidating Cannes Film Jury. Only the very best wonderful and talented judges here. Etc.
Now a few stats: film entries are down by about 1,000 over last year. Attendance is down by 40% or so. And everyone's talking about it being a "down" year. But if you think that attendance was even less in 2003 than it was this year, it doesn't seem so down after all.
As I am working (honestly), even though it's a Sunday, I picked up a couple of contrasting seminars today.
The first was a complete waste of time. "Innovations in Online Advertising" promised a lot but delivered little. A stand in speaker who did her best but was only OK. Which in Cannes, is not OK. So I went for lunch (sat next to the Outdoor judges and the boss of Dentsu!) and returned later.
Kevin Eyres from LinkedIn gave some interesting insights about how social technology is making companies more transparent and how individuals using social network sites become their own brands. But I remain a LinkedIn and Twitter cynic that is hoping to see the light this week.
The best was left until last.
She may come to regret this, but Campaign Brief's Heather
Jacobs is writing a daily blog about the social side of Cannes 2009. Champagne,
sparkling mineral water or Rose in hand, she'll take you behind-the-scenes of
the world's biggest advertising festival. There will be vox pops with delegates,
news snippets and her observations as she wanders along the glitzy La Croisette from the
Carlton Terrace to the Palais. And back again. You can also follow her on
Twitter, HeatherinCannes and other Aussies including lynchy on this Twitter stream: #ozcannes09
The committee is currently working on an award night show worthy of such an occasion and details will be announced to members and friends of the club soon. We are assembling an impressive judging panel made up of world class ex- Perth creatives that will be very much in keeping with the theme of celebrating twenty years of local creativity.
At our last meeting it was acknowledged that it has been a tough year creatively due to factors we all understand and know too well.
As a result, the committee has agreed to extend the eligibility deadline from the end of June through to July 31.
This will bring it in-line with other shows such as London International and hopefully will give us all a bit more time to ensure that the standard of this year's entries will be worthy of the Club's 20th year anniversary.
Andrew Tinning
Watch first ad here
Watch second ad here
Watch third ad here
Credits
Client: Racing & Wagering WA
Agency: 303 Group, Perth
Production Company: ZZ Productions
Director: Corrie Jones
Creatives: Lindsay Medalia (Creative Director)
Ross Dungey (Art Director)
Malcolm MacLean (Copywriter)
Phoebe Dunn (Agency Producer)
Maggie Speak (Executive Producer)
StrongFamilies is a WA government driven program that draws family members and multiple agencies together to develop coordinated plans aimed at resolving complex and difficult social problems.
Opening Day minus 3: This year I'm going to hunt down anyone with a different opinion worth noting so I can report back to the blog. I hope to avoid using the word 'content' altogether and even 'stories' and 'conversations' may be a bit on the nose.
I'm hoping to find people with something to say that is genuinely fresh and provocative, whether that is in the seminars, at the bar or on the streets.
Now in its 8th year of publication, The Work is a 400 page, hard cover publication that features the very best advertising of the year from Australia, New Zealand and Asia. The Work is recognised as the only true permanent record of creativity from the entire region.
There are two things that differentiate The Work 09 apart from traditional award shows.
Firstly, The Work is selective - to qualify for entry the ad or campaign must have already passed the test and been a finalist or winner at an awards show. Secondly, there is no wasted entry fees - only accepted work incurs an acceptance fee.
Entry deadline is FRIDAY, JULY 31st 2009.
Download the PDF Entry Kit with all the details:
The Work09 CALL FOR ENTRY KIT.pdf
AQUENT
We are looking for the following talent:
MARKETING & PR
SPONSORSHIP & EVENTS COORDINATOR (SENIOR)
12 month contract
Due to parental leave coverage requirements, a fantastic opportunity has arisen within the property industry for a dedicated sponsorship and events professional. To find out more about this role, call Karen Thompson on 9381 7655.
PR ACCOUNT DIRECTOR
Our client, a leading public relations agency, is looking for an experienced senior PR specialist to join their team. If you're looking for a new challenge and you have spent 10 years or more in broad based PR/Communication roles (PR agency is essential) call Karen Thompson today on 08 9381 7655.
CREATIVE
MAC OPERATOR
Our client is looking for a Mac Operator for their busy in-house studio. This role will see you working in a small team to create newspaper ads adhering to weekly deadlines. Your work will include ad layout, text and image updates, brochure & flyer creation. A fantastic pay rate and the opportunity to work in a professional environment is on offer. Note this is predominantly a Mac Op role with minimal design required.
This role could suit a junior or mid level Mac Operator. Contact Angela Clegg on 08 9381 7655 or email aclegg@aquent.com or http://www.aquent.com.au/go/angelaclegg
DIGITAL MARKETING SPECIALISTS
A number of our clients are ramping up their efforts in the digital space and are keen to hear about outstanding talent in this area. If you have a solid background in digital marketing and you're ready to explore new opportunities, call Karen Thompson on 08 9381 7655 today!
WANT TO DISCUSS YOUR FUTURE WITH AN AQUENT AGENT...
For creative roles visit www.aquent.com.au/go/angelaclegg and for marketing, PR or account service positions visit www.aquent.com.au/go/karenthompson or telephone 08 9381 7655.
Top 5 Prime Time Programmes - People 18-39
1. Sunday 2030-2200 Rove NEW-10 16.4
2. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 15.2
3. Tuesday 1930-2030 Talking' 'Bout Your Generation NEW-10 14.5
4. Monday 2000-2030 Scrubs TVW-7 13.4
5. Tuesday 2030-2130 NCIS NEW-10 13.3
Top 5 Prime Time Programmes People 25-39
1. Sunday 2030-2200 Rove NEW-10 19.4
2. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 18.5
3. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 17.7
4. Monday 1900-2000 Masterchef Australia NEW-10 16.8
5. Wednesday 1900-2000 Masterchef Australia NEW-10 16.3
Top 5 Prime Time Programmes People 25-54
1. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 17.9
2. Monday 1900-2000 Masterchef Australia NEW-10 16.7
3. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 16.4
4. Tuesday 2030-2130 NCIS NEW-10 16.2
5. Sunday 1800-1830 News TVW-7 15.6
Top 5 Prime Time Programmes People 35-54
1. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 18.0
2. Sunday 1800-1830 News TVW-7 17.8
3. Tuesday 2030-2130 NCIS NEW-10 16.2
4. Mon-Wed 1800-1830 News TVW-7 16.1
5. Monday 1900-2000 Masterchef Australia NEW-10 15.3
LandCorp's General Manager Business Development and Marketing Kerry Fijac said that the decision to appoint one agency on the back of a shared relationship with Brand and Marketforce was a difficult one and "influenced largely by an ability to achieve consistency and good economies of scale."
"Whilst we would like to publicly acknowledge and recognise the history, commitment and professional expertise which typified the relationship LandCorp has enjoyed with Marketforce and the true effort put in by 303 and AdCorp [the other shortlisted agencies], it is believed that going forward, we will be best served by streamlining and consolidating our marketing efforts with the team from The Brand Agency," said Fijac.
303 CEO Nick Cleaver said Migliore is a calm, intelligent influence and has done a "brilliant job strategically" leading their Red Rooster and Cash Converters business.
"It was time for him to step up and lead Business Management across the Perth office. In his new role, he'll be responsible for upskilling the business management team and will also join the executive management team."
Migliore has worked in the advertising industry for a dozen years, the last two and a half at 303. A graduate of Edith Cowan University, he started his career at Shorter and Partners, then in 1999 moved to Melbourne where he worked at DDB and Leonardi Advertising (now known as 'The Furnace'). In 2001 Migliore moved back to Perth for a job at The Brand Agency, as Account Manager on Bunnings Warehouse, then Account Director on BankWest. He joined 303 in 2006.
M&C Saatchi executive creative director Ben Welsh is quoted in AdNews today as saying it was decided to withdraw after meeting with Tourism WA last week.
"We just felt that it wasn't really going to work so we pulled out. At the end of the day, you need to believe you can work well with someone," Welsh said.
All four shortlisted agencies had interim meetings with Tourism WA last week to get feedback on the directions they were heading with their pitch submissions.
M&C's withdrawal leaves Host, BMF and 303 still in the running.
M&C Saatchi have strong tourism experience, with perhaps one 'hit' and one 'miss' in their history. The hit was the '100% Pure' campaign for New Zealand; the miss was the now infamous 'Where the bloody hell are you?' campaign for Tourism Australia.
A final decision is expected in July.
Congratulations to Droga5 for their amazing performance - Dave Droga, Ted Royer, Ben Nott and Duncan Marshall were all there to accept the awards and CB nearly managed to steal all their Pencils! (see picture below). It was also a big night for former Perth creative Steve Back. Now Saatchi Sydney ECD, Back and his CD Dave Bowman were there to accept a Yellow Pencil for the "UN Voices Project". Special mention to one of the CB Awards judges this year - digital guru Dominic Goldman - who picked up a Yellow Pencil for the brilliant Barnardo's "Break the Cycle" campaign he created at BBH London. Also at the awards was Ogilvy worldwide ECD Tham Khai Meng, who was hanging out with some of the big names of the London industry including Jeremy Craigen (DDB), Rosie Arnold (BBH) and Graham Fink.
Here are some of the pics from the CB camera.
Here are a few of our highlights from the Yellow Pencil winners:
In TV & Cinema Advertising Skittles 'Pinata' won a Yellow Pencil.
In the Writing for Advertising category was Orange Goldspots from Mother London - Snoop Dogg / Rob Lowe / Anjelica Huston.
PIC - CB caught Saatchi Sydney ECD (and Perth expat) Steve Back and CD Dave Bowman at the D&AD Awards tonight
D&AD President Garrick Hamm said, "The breadth of creative work that's been awarded this year is exceptional. We're in the midst of a challenging time, and this work shows what the industry is capable of. The 4 Black Pencil winners demonstrate the power and all-encompassing nature of creativity - in education, politics and even in the change in our pockets. These winners are more than just great pieces of communication, they change our behaviour and touch our lives."
ACCOUNT SERVICE POSITIONS X 2 - RARE CREATIVE THINKING
7-Week Opportunity...
RAREcreativethinking has a short-term opportunity for an experienced Account Manager to work on a busy portfolio. The position is available from 1 July and, dependent on the candidate could extend further. This is one of those moments that can lead to much. much more. We are looking for someone with a great personality, solid experience and strong work ethic. Are you ready to dive in and have some fun? Interested candidates should email callum@rarethinking.com
Anyone for Account Director?
Interested in running a growing portfolio as Account Director at RAREcreativethinking?
With a baby on the way, we have an opportunity for someone to step into the 'hot seat' and run an exciting and diversified portfolio of creatively awarded clients. Offering fixed term contract and all usual Account Director benefits, this is a unique opportunity for someone to re-ignite their passion for the industry. If you enjoy a dynamic, fun and busy team orientated atmosphere you'll love every minute at RARE. The position offers many strategic and creative opportunities to show what you can do.
If you would like more information, please email your CV and details to callum@rarethinking.com
AGENCY SALES EXECUTIVE - APN OUTDOOR
APN Outdoor, Australia's market leader in Outdoor advertising is seeking an Agency Sales Executive to join their busy Perth Office. Email Nick Prosser for more information Nick.Prosser@apnoutdoor.com.au
• Digital Creative. Starts 6 July
• Strategic Planning Principles. Starts 7 July
• Media Planning & Buying. Starts 8 July
• Art Direction Principles. Starts 15 July
To enrol or find out more, call 9243 0761 or email wa@afa.org.au, or call Ken Painter on 0419 908 853. Some admission criteria apply.
Visit www.afaadschool.com.au to check out AdSchool's 2009 timetable online (when on-site click on the link to Perth)
303 has enjoyed great success over the past twelve months with work for IKEA and the Royal Life Saving Association.
Not only did Marketforce lose top spot, it slipped to number 3 behind The Brand Agency, which rose to number 2 thanks to a dominant performance at the PADC Awards plus national and international success with its Perth Zoo 'Find your animal' radio campaign.
Top 5 Prime Time Programmes - People 18-39
1. Monday 1900-2000 Masterchef Australia NEW-10 14.2
2. Thursday 2030-2130 20 To 1 STW-9 13.8
3. Monday 2000-2030 Recruits NEW-10 13.7
4. Wednesday 1900-2000 Masterchef Australia NEW-10 13.6
5. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 12.6
Top 5 Prime Time Programmes People 25-39
1. Tuesday 2030-2130 20 To 1 STW-9 18.4
2. Wednesday 1900-2000 Masterchef Australia NEW-10 18.2
3. Monday 1900-2000 Masterchef Australia NEW-10 17.8
4. Monday 2000-2030 Recruits NEW-10 15.0
5. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 14.9
Top 5 Prime Time Programmes People 25-54
1. Monday 1900-2000 Masterchef Australia NEW-10 16.6
2. Wednesday 1900-2000 Masterchef Australia NEW-10 16.2
3. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 15.7
4. Thursday 2030-2130 20 To 1 STW-9 15.0
5. Mon-Wed 1800-1830 News TVW-7 14.8
Top 5 Prime Time Programmes People 35-54
1. Mon-Wed 1800-1830 News TVW-7 16.8
2. Monday 1900-2000 Masterchef Australia NEW-10 15.8
3. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 15.7
4. Wednesday 1900-2000 Masterchef Australia NEW-10 15.5
5. Tuesday 2030-2130 NCIS NEW-10 14.8
Also in this issue...
• Interview Chris Wharton and his plans at WAN
• All the top entries in our recent Caxton Creative exercise for newspapers
• The rise of John Cheese in local post-production
• Online video fuelling growth for WAtoday.com.au
• The Twitter phenomenon
In today's Media section of The Australian, Ben Welsh, ECD of M&C Saatchi, Sydney, outlines to marketers what awards mean to the advertising industry and what we can all expect at Cannes in two week's time. Read the article HERE
The agency's 'Applauding Bus Stop' won Gold for the Most Innovative Use of Outdoor and Bronze in the Government/Public Service category (See the vision of the applauding poster). It was created by Ryan Albuino, Andrew Chu, Andrew Tinning and Danielle Glenister, who is now with The Brand Agency.
Marketforce won another Bronze in the Government/ Public Service category for its ORS X-Ray outdoor campaign, created by Steve Lorimer and Tom Wilson (now at Gatecrasher).
The results were announced in Sydney last night at a ceremony hosted by The Chaser's Julian Morrow. Saatchi and Saatchi Sydney took top honours, receiving $10,000 worth of instant scratchies and the coveted Best of Show gold pigeon for their Toyota Yaris campaign in which the client donated two-thirds of its billboards to a range of charities under the tag line "Uses less, gives more."
"We set out to build an Awards program that would capture the imagination of the creative community. With more than 220 entries received in the first year of these Awards we feel confident in having achieved this goal."
Jonathan Kneebone, Creative Director of The Glue Society, was the non-voting chairman of the judging panel comprising John Merrifield (Cannes Grand Prix Outdoor Winner & ECD TBWA Asia/Pacific), Leo Premutico (Johannes Leonardo, New York), Ewan Paterson (CHI London), Joe Staples (Weiden & Kennedy, Portland), Kitti Chaiyaporn (Publicis, Thailand) and Andy Fackrell (180, Amsterdam).
See the full list of winners here: OutdoorAwards_2009.pdf.
Top 5 Prime Time Programmes - People 18-39
1. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 15.2
2. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 14.4
3. Sunday 2030-2140 Rove NEW-10 12.9
4. Tuesday 1930-2030 NCIS NEW-10 12.3
5. Monday 2000-2030 Recruits NEW-10 11.7
Top 5 Prime Time Programmes People 25-39
1. Sunday 2030-1240 Rove NEW-10 18.0
2. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 17.5
3. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 17.3
4. Monday 2000-2030 Recruits NEW-10 14.7
5. Thursday 1930-2000 Rules Of Engagement NEW-10 14.4
Top 5 Prime Time Programmes People 25-54
1. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 17.4
2. Sunday 1830-1930 Merlin NEW-10 16.1
3. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 15.8
4. Tuesday 2030-2130 NCIS NEW-10 15.1
5. Sunday 1800-1830 News TVW-7 14.3
Top 5 Prime Time Programmes People 35-54
1. Sunday 1830-1930 Merlin NEW-10 18.3
2. Sunday 1930-2030 Masterchef Australia - Challenge NEW-10 16.8
3. Sunday 1800-1830 News TVW-7 16.5
4. Tuesday 2030-2130 NCIS NEW-10 16.2
5. Tuesday 1930-2030 Talkin' 'Bout Your Generation NEW-10 15.7
ACCOUNT MANAGER - RADIO 6IX 1080am / 105.7fm
Are you looking for a career in radio sales?
6IX are looking for an enthusiastic account manager to look after an established client base and source new direct clients for the station. A retainer is offered, as is a generous commission structure.
In the first instance forward your resume to ix@capitalradio.net.au Attention: Sales
It's Hamilton-Howlett's first award win but it's the fourth year in a row for Elton-Bott. Unfortunately, her flight back from a holiday in Asia was diverted to Melbourne so she wasn't able to attend the presentation lunch at Wagamama in Subiaco today, but Hamilton-Howlett (below left with The West's Les Corner) was delighted to accept for both of them.
The duo wins a trip to national Caxton Awards Weekend in late October and the ad will be run for free in The West.
Besides Elton-Bott's amazing run, it's also the fifth time in six years Marketforce has won.
Very close in second place was an ad for Burswood Casino's Poker Room by young Gatecrasher team Jad Silic and John Barton (below right).
As well as announcing the winners, The West Australian's Les Corner also announced the competition will be on again in 2010.
Full coverage of the competition is in the next issue of Campaign Brief, out next week.
Taylor's career has oscillated between mainstream creative and direct but said the two were now fully integrated in BMF's creative thinking because there was a worldwide shift towards more "response seeking advertising".
"Brand Advertising seduces people; DM changes behaviour," said Taylor.
"Although there are naturally fewer entries across the categories, the Lions remain the ultimate global awards to win. We are particularly happy about the launch of the PR Lions, which have been so well supported by our colleagues in the PR industry. With 431 entries from 239 companies in 48 countries participating, it's a great welcome to Cannes for this new category," said Philip Thomas, Festival CEO.
As the figures show the biggest fall this year is in the Press category with a 32.2% decline. The Film category is down 25.4%, Outdoor is down 23%, Cyber is down 20% and Direct down 19.6%.
This year the Cannes Lions runs from June 21st to June 27th.
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