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Industry in shock as Whybin founder + chairman Scott Whybin resigns fr… -
Australia scores 17 finalists in The One Show's Branded Entertainment,… -
SPC Ardmona celebrates 100 years with launch of Preserved Memories via… -
Kate Stanners steps up as Saatchi & Saatchi global chief creative offi… -
Clemenger BBDO Sydney leads the Aussie pack at the finalist round of t…
The video which has only been out for just over 24 hours has already racked up over 1.2 million views.
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Following the reorganisation of Publicis Groupe's media capabilities announced last month, James and Nolan will assume oversight and leverage the scale and capabilities of global agency brands Starcom, Zenith, Mediavest and Match|Blue 449 across Australasia.
The iconic brand is not going anywhere.
In a humorous new ad, Cottee's is addressing head on the inaccurate media reports that claimed that Cottee's was closing its doors after nearly 90 years.
Says Josh Edge, creative director, Longtail: "For the right kind of personality, this is a dream agency gig. We're looking for a person who is part-creative director, part-strategist and part-agency builder to essentially help build a creative agency from the ground up. We've planted the seeds of a new agency in Chippendale with some amazing clients, from CPG to Charity to Education; and a sister agency in WA to offer support and a wide range of west coast clients. The one thing we don't have is a local creative leader, who is bursting to take the reins."
These are the findings from the latest Eye on Australia research done by Grey Group Australia in partnership with Zing Insights, which examines the changing influence marketers and their communications have on people.
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Growing on the success of last year's event which saw over 85 participants working across 8 studios, A Big Brief Night 2 has upped the ante with 15 of Melbourne's most exciting design practices set to open their doors on the night.
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MediaCom has scored six finalists followed by Atomic 212 and Starcom MediaVest Group with five finalists each. OMD has scored four finalists and PHD, MEC, Ensemble, Chaos Media and Society have all scored one nomination each.
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Price will join BWM Dentsu in his new role in May, 2016, following his leadership as executive planning director, head of planning for J. Walter Thompson Singapore and global planning director on Unilever LUX.
Price comes to BWM Dentsu having previously worked in Germany, Canada, Japan and Singapore, with shorts secondments in both London and New York.
Says Jamie Mackay, group strategy officer, BWM Dentsu: "With more than 13 years of international experience in marketing communications, brand strategy development and insights generation, Jordan has the perfect combination of experience and skills to drive our mission to transform clients' businesses and brands with long term Organising Ideas.
The agency has been awarded Grand Prix for its 'Lucy the Robot' campaign for Double Robotics. The prize is awarded to campaigns which demonstrate innovative strategies, solutions and results.
The agency was competing for the prize against the world's largest agency groups from the US, Europe, Asia, the Middle East and elsewhere.
The Torch Awards is a unique competition for 18-27 year olds that explores a different creative challenge each year and offers mentor training on how to pitch their idea. For the 2016 Torch Awards, NYF has partnered with The Institute for Human Centered Design (IHCD) a nonprofit dedicated to enhancing the experiences of people of all ages and abilities through excellence in design.
Aussie expat and associate creative director at Droga5 New York Lisa Fedyszyn (left) is on the 2016 Torch Award jury.
Last year Whybin was inducted into the AdNews Hall of Fame for an exceptional career spanning over 30 years, including being the youngest ever creative director at The Campaign Palace at age twenty-six. Whilst at The Campaign Palace, Whybin wrote five of the Top Ten Australian ads of the last twenty-five years, including Dunlop Tyres and 'Sic'em Rex for Antz Pantz. Whybin has won every local and global award and accolade that our industry offers.
Australia has scored six finalists in Branded Entertainment, six finalists in PR and five finalists in Radio.
BRANDED ENTERTAINMENT
M&C Saatchi / Sydney + Bang PR / Sydney + Digital Playground / Los Angeles
Blue Ball Foundation 'Game of Balls'
Branded Entertainment: Innovation in Branded Entertainment - Innovation in Branded Entertainment
Branded Entertainment: Brand or Product Integration into Storyline - Film
The Monkeys / Sydney + Rabbit / Sydney + Song Zu / Sydney + The Butchery / Sydney
Meat & Livestock Australia 'Operation Boomerang'
Branded Entertainment: Online - Short Form Videos
The brief was to promote Simonds Homes' Greatest Ever Upgrades Sale, and do it differently.
Simonds national sales manager, Colin Bischof, and national marketing manager, Michelle Nichols are pleased with this fresh take on the sale.
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Back in the UK, Stanford produced award-winning campaigns at some of Britain's most renowned creative hot shops - most recently working at BBH and RKCR/Y&R, having previously worked at Havas London. He's helped to create campaigns for clients including Peugeot, Audi, Tesco, Chivas Regal, the BBC, V05, Land Rover and Vodafone.
Daperis is a talented performance director and filmmaker from Melbourne. Having spent a lifetime as an actor in big feature films and top US and Australian dramas, he has focussed his attention solely on directing. Daperis aims to create inspiring, cinematic content with a contemporary touch. His work is motivated by bold storytelling and an emphasis on beautiful, provocative imagery - across all mediums.
His debut short, Phone Call was the winner of Screen Australia's Raw Nerve initiative and his latest work HIT is continuing its festival run, screening next at St Kilda Film Festival in 2016.
Says Daperis: "My trajectory was always to work behind the camera - it's been my sole focus and I'm super excited about working up in Sydney with the Howling team. They're passionate people with a great energy."
The drink is the creation of C.J. Rapp, who was also behind Jolt Cola, often cited as the original energy drink.
The platform highlights Karma's health benefits as well the unique cap that keeps the vitamins and nutrients separate from the water, which ensures maximum potency.
Get in touch for advice on where to enter your work, as well as information about what's new for 2016.
(All work submitted after the original 24 March deadline are subject to a €105 late fee)
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Leo Burnett Sydney digital creative director Kieren Ots (left) will represent Australia on the Creative Data Lions jury and Finch Australia's Emad Tahtouh is jury president on the Innovation Lions jury.
Two Awards are associated with Lions Innovation, the Innovation Lions, which celebrate pioneering technological creativity, and the Creative Data Lions, which award creativity enabled by data.
Says Terry Savage, chairman, Lions Festivals on the make-up of the juries: "As we enter into the second year of the Creative Data Lions, we have focused on creating a jury that brings together even more data specialists to ensure that the understanding of the application of data is there. We will watch with interest as both juries look to set the precedent in these fast developing industries."
Aimed at raising vital funds for the Australian Volunteer Coast Guard, Seabay allows Aussies to bid on items recovered by Coast Guard volunteers and equipment used on actual rescues.
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Leo Burnett Sydney has ranked in at #3 in the Top 40 Campaigns list for its WWF International 'Poachers' work. The agency has ranked #8 in the Top 25 Agencies list and its client WWF ranked #1 in the Top 10 Advertisers list.
M&C Saatchi Saatchi has ranked #27 for Optus 'Clever Buoy' in the Top 40 Campaigns ranking and #13 in the Top 25 Agencies list.
A total of 1,474 campaigns produced by 866 agencies for 1,090 advertisers from 82 countries were evaluated from the 2015 ACT Responsible database, exhibition and public votes, which were also assessed for their creative performance based on The Gunn Report 2015 results. The outcome is a combination of the industry's recognition on one hand and the general public's recognition on the other. There are no complicated criteria or categories, just great work for Good.
The TV ad called 'A Look Inside' features Kunis walking through a CGI enhanced Jim Beam rackhouse explaining how the world's number one bourbon is crafted in oak barrels for four long years.
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SPC is one of Australia's last remaining fruit canneries. Without companies like them, Australia's fruit industry and the towns they support could disappear.
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After 20 years working for Saatchi & Saatchi, Pablo Del Campo,
the worldwide creative director of the network, steps down with
immediate effect.
He will be replaced by Kate Stanners, currently chief creative officer at Saatchi & Saatchi, London. Kate will fulfill the role of Global Chief Creative Officer whilst retaining her London role.
Says Del Campo: "It has been an enormous privilege
for me to have developed so many 'ideas bigger than ads' in a space as
inspiring as Saatchi &Saatchi, hand in hand with the most
prestigious industry leaders and creative teams. Today, the network
holds the highest standards in terms of talent in order to continue the
'hothouse for world-changing ideas.' The decision to leave this
20-year-old adventure has not been easy but the outcome surpassed by far
my expectations." "I hope I've honored the brand," he added.
To take advantage of this Snickers and Colenso BBDO built three of the dumbest apps the world has ever seen. Apps that no one in their right mind would ever download. Apps that were actually Snickers vouchers in disguise.
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Free the Fruit is designed to engage with the brands core audience on a new platform, rewarding players with free smoothies and discounts and driving foot traffic over the campaign period.
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The Red Shield volunteers campaign reminds people that their time is just as valuable as their money when it comes to helping The Salvation Army provide aid to the neediest members of society.
Garry Tanner, territorial marketing director, The Salvation Army, said people had great intentions of donating to charity but often got too caught up in their busy lives to act on their charitable impulses.
Says Tanner: "Each week, the Salvos provides 100,000 meals, 2,000 beds, and 8,000 food vouchers to those in need. Every single one of those meals, beds and food vouchers that improves someone's life is made possible by the individual efforts of the community.
Clemenger BBDO Sydney leads the Australian agency pack with three nominations; two for Whiskas 'Catstacam' and one for Toshiba 'Made in 17 Hours'.
Australia has scored three finalists in the Responsive Environments category which include Isobar Melbourne, One Green Bean / The White Agency and REBORN Sydney. In the Design category five agencies scored a finalist including 303MullenLowe Sydney, M&C Saatchi Sydney, uncommon practice Sydney, Leo Burnett Sydney and Like Minded Studio for a campaign headed by Droga5 New York. Australia did not score any finalists in the Intellectual Property category.
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Borobi, the unstoppable koala, is a very different koala. He's energetic, determined and has bright blue fur from surfing in the Gold Coast beaches.
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The platform has been established as an opportunity for the AMI to listen, learn and understand what its members want, need and expect from the Institute.
Over the next 12 months, the AMI along with Vision Critical customer intelligence cloud software, will undertake four quarterly pieces of futuristic research on a range of topics including: the future of marketing; the future of loyalty; the future of customer insights; and the future of customer experience.
Entries in the ASTRA Industry Awards can be submitted until 4pm on Tuesday, May 10. The awards will be presented on Thursday, July 28 in Sydney.
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The Dorf+ Creative Collaboration - conceptualised and managed by Designworks, part of STW - has resulted in a range of artistic results, including a jewellery range and home styling all inspired by Dorf tapware.
Says Pip Ireland, Designworks: "We are extremely fortunate to be working with a client that shared our strategic and creative vision and was prepared to really push the boundaries in the sector. To ensure the overall success of the campaign, we brought in still productions producer Chris Hemmings who helped handpick the artists involved including Phillippa Carnemolla (industrial and jewellery designer) and Natalie Walton (stylist)."
Australian influencer marketing agency questioned 125 social boosters who have between 1,000 and 50,000 Instagram followers to understand their motivations on how and why they want to work with brands. While nine in ten said it was a means to share their passions and interests with like minded people, just over half (54%) saw it as a channel that could help their careers with over a third (38%) saying they hoped to eventually make it their day job.
YDA recently launched a vital new category - 'Changing the World Frame By Frame'. This brand new category aims to highlight innovative and positive action undertaken in the social environment field.
Said James Bruce, StrangeLove's Director, "We decided to call the spot 'Ginger Beer' because it's designed to sell a lot of ginger beer. It's our hope that we'll soon be selling enough ginger beer to justify an even bigger marketing spend. Hopefully, one day, we can do away with selling drinks altogether and just spend money on ads."
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