Saatchi’s Wellington campaign for Women’s Refuge highlights fear of domestic abuse
Saatchi& Saatchi, Wellington has launched another chilling campaign forWomen’s Refuge which highlights the realities for women living in fearof psychological or physical violence in the home.
Thecampaign, which includes a TV commercial, print and Adshel executions,and a clever on-line viral game, focuses on the one thing that allforms of domestic abuse have in common – the climate of fear that anabusive partner creates.
“Fear is something that all NewZealanders can relate to. We may not have experienced the reality ofabuse, but we can start to imagine what it must be like to liveconstantly in fear’s shadow,” says associate creative director ScottHenderson, who was responsible for the campaign.
VIEW PDF OF THE PRINT CAMPAIGN:
“People recognise physical abuse because there is something to see.Psychological abuse is far more sinister and far more prevalent. Weknow that 90% of the women we work with are dealing with psychologicalabuse. Physical abuse destroys the body, psychological abuse destroysthe soul,” says Women’s Refuge chief executive, Heather Henare.
Henderson says that psychological abuse can be devastating: “Exercisingfinancial control over a partner and holding their every action toaccount can destroy a person’s confidence. And a constant undercurrentof potential violence can be so damaging that actual violence, when itfinally comes, can almost come as a relief,” he says.
“We’re hopeful these commercials will get some New Zealanders torecognise that situations they may not have seen as abusive, are infact harmful, and unacceptable,” says Livia Esterhazy, Saatchi &Saatchi Wellington general manager.
Saatchi & Saatchi has supported Women’s Refuge as a pro bono clientfor ten years, winning many awards for creativity and effectivenesssince 2001. Last year’s campaign delivered a significant 75% increasein donations to Women’s Refuge.
“Helping women and their families live free from fear is something thatall of us at Saatchi & Saatchi are proud to support. But the thingwe are most proud of is the flow of donations that result from thecampaigns, which allow Women’s Refuges to help thousands of New Zealandwomen and children each year,” Esterhazy says.
Esterhazy thanked a large number of suppliers who gave their time and talent to assist with this year’s campaign.
Agency: Saatchi & Saatchi, New Zealand
Client Company: Women’s Refuge
Brand/product: 2010 Annual Appeal
Client contact: Janet Bagshaw
Creative/Account team: Executive Creative Director: Dylan Harrison,Associate Creative Director: Scott Henderson. Strategic Planner: SarahHodgetts, Group Account Director: Dawn Marrs, Account Manager: ClaireDooney
Media strategist: Starcom
Writers: Scott Henderson, Tony Haigh, Phoebe Smith
Art direction: Scott Henderson, Tony Haigh, Samantha Jukes
ELECTRONIC
Agency producer: Anna Kennedy
Production company: Flying Start Pictures
Producer: Peter Mayo
Director: Miles Murphy
Post production online: Toybox
Editor: Jonathan Venz
Soundtrack: Paul Stent (Marmalade Audio)
Music: Jeremy Cullen
Photography: Steven Boniface
Photography (web): Matt Grace
Retouching: Isaac Nana
Digital: Touchcast/Next
25 Comments
Too Little britain for a serious subject, made me laugh which prob isn’t the desired result. Mind you I’m not A LADIEEE.
We laughed too. We have it on the wall.
Reminds me of that awesome Merv Hughes Hahn Premium Light ad.
There are a few too many small towns in NZ which actually look like this for comfort
nice idea, but thats some of the worst photoshopping I’ve seen
This is just sick. I bet if you asked any women about it they’d say the same. I’m certain this wasn’t researched outside a male creative dept.
Nice campaign. All three of them.
Joe Craig is the toddler.
Sorry Joe.
There’s definitely a truth there, which could be quite chilling. For me, though, there is just something about it that doesn’t quite work. I don’t know if ‘weird’ is right for this subject matter.
Meh, the print doesn’t work on it’s own. Too ambiguous a message without further explanation. Looks like a Basement Jaxx clip. More odd than chilling.
How does a refuge protect people when they go shopping? A refuge protects women by allowing them to live outside of the family home, but it doesn’t mean their tormentor won’t hunt them down elsewhere. Sadly, that happens a lot, even on the steps of court houses. This, to me, looks like an idea in search of a client. Sorry.
like the aphex twin video clip…
1 in 3 – that can’t be right?
Malcovich malcovich?
Oh dear.
On paper it probably sounded a reasonable idea.
This has ended up a truly awful campaign.
Im a woman – not battered though, and when I first saw this – I laughed my head off…..jeeze this is a bad idea!
Fark this is bad. This is not a campaign. There is a total disconnect of idea, consistency, look and feel, tone etc etc across the work to call this a campaign.
Probably wasn’t the best idea getting the PR guys to post this one up on CB. Aphex Twin meets League of Gentlemen. One of the worst print ads I’ve seen in a long time. Bad retouch too.
If 1 in every 3 women in New Zealand live in fear, that country is stuffed.
What a joke!!!
I don’t know why, but I feel like smacking the creatives.
COME TO DADDY…
Come To Daddy
http://www.youtube.com/watch?v=5Az_7U0-cK0
I love it, but for all the wrong reasons.
One of the darkest print ads I’ve seen in a long time.
Fucking hilarious.
The print ad IS funny on a satirical ‘weirdo’ level; it’s also incredibly chilling. Having visited countless small towns (and sprawling outer Bogan suburbs) throughout both NZ and Australia, I have seen this exact expression. It might be funny here, but it’s a lot more menacing when you’re a couple of hours from a main highway. It’s the mean, dark and drunken side of the Australian Dream. It’s the unmistakeable silent challenge that says: “What the fuck are you lookin’ at, cunt? Wanna end up like me missus? No? I didn’t think so!”
This isn’t an ad, it’s a leaving card.