Four Aussies amongst winners of annual Corbis Asia-Pacific Creatives Behind the Lens comp

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diamond bay.jpg Corbis Images , a leading visual media provider for the creative community, today announced the winners of its prestigious Creatives Behind the Lens competition which recognises the talents of creative professionals in the Asia-Pacific region who double as amateur photographers.

The competition received more than 600 entries from Australia, Hong Kong, Taiwan and China, and the top 90 entries will have their work featured online and published in the Creatives Behind the Lens exclusive print piece, with exposure to thousands of creative professionals.

Unhappy circus.jpgThe 10 winning entries are as follows –

 

Diamond Bay – Chris Round, Moon Group (Australia)

The Unhappy Circus – Chris Round, Moon Group (Australia)

Rockabilly Comb – Nick Smith, DraftFCB (Australia)

Old Kid – Darren Martin, Stimulant (Australia)

A Journey To My Heart – Chan Yi Wang, Leo Burnett (Hong Kong / Taiwan)

You Are In My Eyes – Cheung Chun Wei, Ideata (Hong Kong / Taiwan)

Mr Kwok Takes Tea – Darren Hayward, The Wall Street Journal Asia (Hong Kong / Taiwan)

Love – Leung Yi Long, Fuzhou Jian Mei Design Company Ltd (China)

Running childhood – Leung Shuang, Zhangchun Yi Wah Printing Factory (China)

Xia – Tse Fong Yi, Shenzhen Ji Shi Communications Advertising Company Ltd (China)

 

 

rockbilly.jpgAll 600 entries were judged by a panel of esteemed industry professionals in China, Hong Kong and Australia, including Julian Melhuish, creative director at Saatchi Design Sydney, Marc Gafan, editor of Capture Magazine, Vince Frost, founder and creative director of Frost Design and Australian photographer Tamara Dean.

 

Says Michele Yeung, marketing director for Corbis in Asia Pacific & Global Channel: “In 2009, our first year of running the competition in the Asia Pacific region, the entries we received were of an incredibly high standard and among the best in the world, and this year the bar been raised even higher.

old kid.jpgAs the entrants are not professional photographers, the judging panel was asked to score the entries based on visual appeal and uniqueness of composition over technical execution. 

We are thrilled to provide this platform for creatives to showcase their photographic talents and creativity outside of their day jobs to some of the industry’s biggest heavyweights.”

 

The competition which originated in Europe and debuted in Australia in 2009 was open to all non-professional photographers working in the creative industries across Asia Pacific – including Australia, China, Hong Kong and Taiwan.

 

This year’s competition was supported by several prominent industry partners including Semi Permanent, Campaign Brief, China Advertising, Longyin Review and Market Builder.