Why? Apparently, says Trott, because the Chips... "Take the piss out of how seriously advertising takes itself. Take the piss out of advertising's obsession with awards. Take the piss out of a little yellow wooden pencil elevated to the level of The Nobel Prize. And the symbol of a chip with a dollop of ketchup on it does that very succinctly."
Discover when and where by registering and entering at www.chipshopawards.com
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Following the recent announcement that Nick Worthington would be on the exclusive Titanium jury at Cannes this year, New Zealand has scored a further five slots on the 2010 juries.
Guy Roberts (top left), creative director of TBWA\Tequila is on the Promo Lions Jury; Chris Schofield (bottom left), creative director of DraftFCB is on the Radio Lions Jury; Lachie McPherson (top right), executive creative director of Mojo is on the Cyber Lions Jury; Vaughn Davis (bottom right), creative director of Y&R is on the Direct Lions Jury; and Barry Williamson, media director at Mediaedge:cia is on the Media Lions jury.
Cannes International Advertising Festival chairman Terry Savage told CB: "NZ have consistently provided a stream of top class jury members - not surprising given their ranking in terms of Lions won at Cannes in the last few years which saw them placed 11th in 2009, joint 8th in 2008 and 6th in 2007."
Sky has spent over 10 years working in the creative industry, most recently at Saatchi & Saatchi - he left Saatchi's at Christmas - where for the last three and a half years he worked as a Senior Copywriter and Group Head.
January's winner was DraftFCB's latest in the artwork series for Robert Harris coffee. "Good use of the medium and an inspiring way to use the paper - an oasis of art in the newspaper!", said the judges.
Content & Contact - Duncan Marshall (pictured), Executive Creative Director/Partner: Droga5, USA
Print/Poster/Billboard/Innovative Media/Integrated Campaign/Direct Mail - David Lubars, Chairman, Chief Creative Officer: BBDO North America
Television/Cinema/Digital - Tham Khai Meng, Worldwide Creative Director: Ogilvy & Mather Worldwide
Interactive - Will McGinness, Creative Director/Associate Partner: Goodby, Silverstein & Partners, San Francisco
Radio - Rob McLennan, Executive Creative Director: Network#BBDO, Johannesburg.
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During his career Pickering has worked for BMP DDB, BBH, TBWA and Lowe London and has created an impressive body of work including the 1999 Volkswagen 'Wedding Photographer' print ad at BMP DDB and the 2003 Johnnie Walker 'Fish' TVC at BBH, both winning Gold Lions at Cannes.
Says Simon Fitch, JWT managing director: "We are thrilled that someone of Jacqueline's calibre is joining us. JWT has a global reputation for hiring some of the very best planners in the business and I'm delighted that the NZ office now has a planner with such experience and expertise. Jacqueline is highly respected and is regarded as one of New Zealand's leading planners. Not only will our clients get great value from her but I hope she gets a buzz from working with some of the amazing planners in our regional and global network."
Reviewers are already praising the production for pushing the boundaries of contemporary theatre and drawing new audiences to the medium: "The Lover reinvents theatre as we know it and moves the scripted word above and beyond what we expect, and into the realm of sex, fashion and art."
Riddell has compiled an inspiring team of actors, fashion designers and set designers to bring her vision to life, creating a one-act play that is strikingly designed, cleverly directed and sexually charged.
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On Sunday 31 January at 5.40pm, real time footage shot in first person will air on TV One. The POV footage will put viewers into the shoes of a Coastguard volunteer at the start of a rescue operation to find the capsized boat somewhere in the expanse of the Hauraki Gulf. Viewers will be directed to www.liverescue.co.nz to join the search effort, where they'll find themselves in a simulated Coastguard Air Patrol search plane, scouring the New Zealand coastline in real time for the missing vessel.
The Ad Show is the first in New Zealand to focus solely on advertising, marketing and PR. It's also the first to give audiences an ongoing opportunity to fire back at the advertising industry.
The show will be hosted by New Zealand ad industry reporter, Hazel Phillips, whose weekly National Business Review column is a must read. Phillips brings a level of credibility and inside knowledge to the show and will be joined by Media7 reporter Simon Pound (pictured above and below with Phillips).
Due to the additional resources required to process late entries, a 10% surcharge will apply to any submissions made after Friday 29th January. Entry packages can be sent to their offices later as long as they arrive by Wednesday 10 February 2010.
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For AWARD School Wellington, visit www.awardschool.co.nz
According to Advertising Age... DDB's New Zealand shop is a master at mobilizing Kiwis to participate enthusiastically in ad efforts aimed at them, from shaving their heads to become cranial billboards to guessing when a giant strawberry will explode.
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Says Oktobor GM Bruce Everett: "The policy at Oktobor is to hire the best talent and create the best possible team in order to give our clients what they require and indeed, exceed their expectations. I'm delighted to say that our three new appointments do exactly that. We are expanding our account management team with the very experienced Cristina Caseres and Zoe Jones who returns to us after a short break and have created the new role of senior producer, digital which is being filled by industry heavyweight Amanda Kabel. Cristina and Zoe will work under our account director Ganesh Raj and Amanda alongside myself and the senior creative team."
The jurors invited from New Zealand are: Peter Ogden, executive creative director at JWT Auckland, who is judging TV/Cinema; Philip 'Duster' Andrew (pictured), CEO/ECD at Clemenger BBDO Wellington, who is judging Print; Greg Whitham, interactive creative director at Ogilvy, who is judging Digital & Interactive; and Mark Addy, digital creative director at JWT Auckland, who is judging Digital & Interactive.
Set in the arctic wilderness, the eight-minute film follows the single survivor of a catastrophic disaster experiencing a mystifying moment of transitory beauty. Written and directed by New Zealander Dylan Pharazyn, it was co-produced by The Sweet Shop and Richard Collins. Funding came from the Screen Innovation Production Fund, a partnership between NZ Film Commission and Creative NZ, with post-production handled by the NZ Film Commission.
"We wish TSB Bank all the success for the future", says Republik Director Paul McNamara.
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The pair originally teamed up at Central Saint Martins Art College in London. On graduating, they won a year-long scholarship, sponsored by Diageo, working at three of their roster agencies: AMV BBDO, JWT and BBH. They were then hired by BBH and have been there for five years before deciding to come out to NZ to join Colenso BBDO.
William Gelner, executive creative director, 180 Los Angeles, told Bestads: "It's a rallying cry internally and a reminder to the world that Sony believes anything you can imagine, you can make real. The campaign encompasses Sony's philosophy, inspiring employees and consumers and guiding everything from engineering to advertising."
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There are 13 Lotus categories to enter: Film Lotus; Press Lotus; Poster Lotus; Outdoor Lotus; Cyber Lotus; Direct Lotus; Design Lotus; Radio Lotus; Print Craft Lotus; Film Craft Lotus; New Director Lotus; 360 Lotus; and INNOVA Lotus.
ADFEST is the only Asia Pacific Advertising Festival that originates in Asia and the only one that accepts entries from Australia and New Zealand. For more information, contact Entry Manager, Puk: puk@adfest.com
Delegate passes to attend this year's Festival are now available by clicking the 'Delegates' tab at www.adfest.com
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Adam Good, CEO of AIM Proximity said there was considerable interest in the role thanks to the agency's high profile around the world. "Nick and I are stoked to have Michael on board. His track record speaks for itself and he'll be a great fit for the next evolution of AIM Proximity."
Says Barnfield: "AIM Proximity is not just doing some of the best direct and digital work in New Zealand, they are showing the rest of the world how it's done. To be given the chance to be involved in their ongoing success is one that I jumped at."
Aussie expat Harrison joins the New Zealand team from a highly decorated 10-year stint with DDB London, where he picked up numerous awards for clients as diverse as Volkswagen, Marmite, Budweiser and the Guardian newspaper. In addition to three nominations and a Silver pencil at D&AD, he has won at every major awards show, including gold at Cannes, The One Show, Clio, ANDY, Creative Circle, Campaign Press and Eurobest.
The companies, both veterans of music services to the film, television and advertising industry, have become Franklin Road, a one-stop music services business.
Franklin Rd will offer composition, music supervision and licensing, and audio post services under one roof. It will be run by joint managing directors Stacey Thomas Wah and Jonathan Hughes (pictured).




























