ADFEST – THE INTERACTIVE WORK IS GOOD, BUT IS IT RELEVANT?

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Picture 11.pngBy Barbara Messer in Pattaya Beach, Thailand

TomEslinger, the Jury President for this year’s Cyber Lotus category atADFEST, says he’s enjoying the quality of this year’s entries.

But Eslinger, interactive worldwide creative director at Saatchi &Saatchi London, can’t help wondering whether some of the ideas arerelevant to the brands they’re created for.

“We’re seeing a lot of work that explains the brief, challenge andresults, but sometimes I wonder what it has to do with the brand?” asksEslinger.

Shaun Branagan, executive CD at NetX in Sydney, agrees: “It’s as thoughagencies are developing interactive campaigns because they want to showoff the latest technology – you can tell they’re technology-drivenagencies rather than ideas-driven agencies.”

Eslinger says it’s unfortunate interactive agencies are still beingbrought in so late in the creative process. “You can tell when thecampaign revolves around a TV commercial or a print ad, instead ofbeing built around a strong interactive idea.”

The jury panel, which includes Valerie Cheng from ARC WorldwideSingapore and Hiroo Kida, viral director at ADK, will spend the nexttwo days debating the entries of this year’s Cyber Lotus, with thewinners announced at the Gala Dinner on Saturday night.