Posters to keep the conversation down
April 1 2011, 9:05 am | | 17 Comments
The Brand Agency, Perth has created a series of in-venue posters for The Ellington Jazz Club to keep the conversation down.
While most patrons are happy to listen intently to the fine musicianship, there are the occasional few who need reminding that their conversation level could be hindering other people’s enjoyment.
The club’s management wanted an alternative to giving the excessive tongue-waggers a tongue-lashing so The Brand came up with these posters.
The Brand Agency, Perth
Executive Creative Director: Garry Horner Copywriter: Mitch Mitchell
Designers: Judy Moosmueller, Mindy Lee.
17 Comments
Three one-off posters, presumably only appearing in said venue because elsewhere they’d make absolutely no sense to anyone.
Smells like award scam to me.
(Come on guys, spotting that one was way too easy.)
I hate ignorant cunts who prattle on rudely over live music, so I like ’em. Interesting strat, nice execution.
Lovely poster. Makes a good point.
In venue is legit, nice work guys.
perhaps teh worst laid out poster I ve ever seen. It just doesnt make sense unles you see the little words in top left. It wont work. its silly
NICE.
An agency hardly demonstrates its creative credentials or influence by producing work this limited, and by limited I mean the scope and size of the campaign.
Of course they’re nice looking posters, the degree of difficult is less than zero.
Contrary to 11.38, i love the whole ‘Blue note’ look, niiiiiice.
I disagree, 12:16. Often good work makes it look easy. The key here, in addressing the issue of the volume of talkers, is tone. Did you see what I did there?
clipart gone wild!
Clearly scam.
Next.
11:38, perhaps you should get a writer, or somebody with a brain to compose your comments for you.
Mitch Mitchell in the credits. Now there’s some serious musical credentials.
Seriously?? This is what it has come to?
It’s posts like this that tell you who actually appreciates good creative, and the pretenders.
Yep, MItch’s best work since ‘Are You Experienced?’. And the answer to the question posed by that album title is now clearly ‘Yes’.
Lovely art direction. And agree with 8:45, although for me Mitch Mitchell’s best work was on ‘Electric Ladyland’ namely 1983… 3rd stone from the sun was pretty epic ‘new-jazz’ tho.
Well done Gaz, screw the haters and lucky you to have such a talented young drummer in your department.
Hope all is well in the wild west.